Yes, I have a writing process. I guess all writers do. I spent a
lot of my second year trying to find one. The first year, I just merely wrote
the darn thing. Then I joined a group and found 'real' writers and tried to
understand the process. Of course I might have had a bit of impetus for
searching when two people I care about had this to say:
I"ve burned
better.--mother-in-law
Get a storyboard and
try again.--best friend who is an English Major/Educator and reads mysteries.
That sort of thing rocks your confidence a
bit that perhaps what you've created out of nothing is a bit off. However, I
also was very intrigued to have a hidden place in my mind that could write
stories and be bombarded with more so fast I couldn't write them down. Never
happened to me before. Didn't ever like writing anything, but was always a
voracious reader. The sensation was like finding the plug in the bottom of the
ocean and giving it a jerk, darn thing opened and I was caught in the swirly as
it dumped into a different dimension.
So the initial writing process went like
this:
1. Had an idea about a story when I was about
fifteen. I thought it should be written
by a real writer if ever I met one. I had devoured the entire science fiction
wall of the local library, started on other fiction, and then came romance
stories. The idea I had was that the world was suffering from over human
population and too much sentiment on saving those who were never going to make
it. Remember, I come from a farm background that includes several species of
animals as well as wild. Some members of the herd don’t make it. And inbreeding
is a severe problem that stunts and warps animals due to recessive genes. So,
none of that either. And then Hybrid vigor, a proven law of genetics that two
straight lines crossed to a hybrid child means a stronger, healthier, bigger,
amazing animal—which includes people too as we are mammals. Look how much
taller and robust each succeeding generation of American’s are compared to
those a few generations back. Ok, nutrition and other resources are important
too. Therefore my story idea. Prove your worth to have children by a trek of a
thousand miles on foot through the proving zone. Don’t go through, you can’t
have children, but you can do whatever you wish with your life. But all Zone
stories must have happy endings and, of course, in my teenage mind strong love
would see both characters through to the Got There Tavern in Randar, a town
where the last step was located. In that story, only the woman made it….
Then I read a
story by Jayne Ann Krentz whose lead character was a writer and she wrote that
people will approach writers with stories to write, but writers have too many
already. I was sorely disappointed to read that and complained to my lovely
husband. He looked at me like I was an idiot (this happens quite often with reciprocal
looks upon occasion). He said, “If you’d have written a chapter a YEAR you’d
know how the story ends by now.” Dang, he was right, so I started. That night.
Big problem. Couldn’t write it. But, I did write the story of her sister who
was inspired by the story. The first isn’t written yet, but I know how it ends.
2. Next step was: Sit in chair and write down
what characters are doing. Write until I couldn't see what happened next or
until characters were written into a corner.
3. Sit in chair, read last few pages of
yesterday’s work, and write what characters did to get out of their situation
until they were written into a corner again.
4. Repeat step 2.
5. After story completely written, show it to
some folks for comment.
6. Show to someone who had some editorial
instincts and let them loose on it.
7. Fix egregious errors, but left mostly
intact.
8. Take new editor to lunch. She works for
food.
9. Try to buy marketing books from lovely
bookstore clerk who knows everything-Penny.
10.Penny asked me if I’d written a book and
what kind and let me know WARA existed.
11.Joined WARA and writing life has never
been better.
Current writing process is a bit less straight forward, because I
keep trying to write like the big girls do and some of the classic writing
advise is very counter to me, my writing ability, and my work/story style.
However, with WARA, I’m never alone, I get encouragement, and I get real life
help. Never underestimate a romance writers group for sheer wonderfulness, WARA
in particular.
Our farming operations have almost doubled in the fourteen years I’ve
been writing. My duties there with more and more government involvement in
actual farming, employee regulations, EPA regulations on fuel, fertilizer,
other chemicals and their application as well as some regulation changes on
Grain elevators, grain handling companies and seed cleaning, we’re a little
challenged. Someone has to man the phones, seek information, and keep us out of
jail or bankruptcy or IRS audits.
Then there is family things and idiocy of my own which has me on
crutches. Turns out doing three things at once including arms full of sacks,
one sandal on one off, heading for the bathroom at a fast clip, with a throw
rug obstacle is a recipe for personal damage. Who knew?
So, on to current process.
1. Guilt for not writing on novel.
2. Double that on most days.
3. Read RWA magazine while waiting in vehicle
at whatever location for the other person.
4. Finding all the copies of the last WIP out
of the old computer files and finding out I’d been editing at least four
copies. God Bless Windows 7.
5. Learn new software to be able to combine
the copies into the most recent edit.
6. Now working on only one copy.
7. Read WIP as kindle to check flow.
8. Taking care of rough spots where flow isn’t
flowing.
9. Admiring genius of myself.
10.Up to page twenty in final edit.
11.Finally found the right word combination in one
really awkward sentence.
12.Found Romance Beat Sheet from WARA
connection.
13.Checked the romance on WIP and had happy
dance party.
14.Keep editing to smooth out the story and
then send it to friend who edits for food. Should be el finite by then.
I do have other idea and other works in process but only beginnings
and I seem to be able to only do one at a time. I think that is something I
need to get away from. I’ll work on it.
As far as a story grabbing me, it generally works like this.
A. I’m driving, taking a shower, or whatever
mindless task is happening.
B. An idea about something funny or a what if
pops into my head.
C. Sometimes it won’t let me think of
anything else and with every thought the story grows until I have to write it
down a bit to let it release me so I can sleep, or whatever.
D. Then the videos play in my head like movie
parts.
E. Then I see how parts of the story unfold
as the characters meet others or other circumstances happen to them.
F. Examples: The Children of Easy Virtue
Texas. Yup, that’s the title. It wouldn’t let me go for two weeks. Just until I’d
written enough to get the idea of how it would play out. The whore house is
taller than the church which causes some problems. The prostitutes have a retirement
plan and raise their children themselves for awhile and then are sent back east
for schooling, the problem is all of the unwanted kids that start getting dumped
on their doorstep….but it’s a western for God’s sake. I’m not doing westerns—yet.
Then a character who is very particular and made it up a social rung or two
only to find herself lonely and wanting a construction worker or someone like
that in her life—contemporary. Or a story about a poor divorced romance writer
who is reusing tea bags and her landlord who isn’t sure she’s not a hooker for
teenage boys or just bug-nuts—contemporary. Or a woman who has been kidnapped
by a mob family because their current leader is a man taking the family legit
and isn’t finding a wife, so they’re going to get him one. She worked at the
Vatican for several years on their ancient clocks—contemporary. A guy who finds
out he has some strange genes that cause him to go in heat like lions do and
find a woman who he mates with for life, but he doesn’t know until she’s
already left town—contemporary science fiction. Over 21 story lines that
include the Proving Zone. Like the guy who was kidnapped and dumped there and
left to die—but he doesn’t and the woman who eventually finds him.
Most of the
stories have some kind of irony that tickles my funny bone and that’s what
draws me to thinking of them and how they’ll play out. But sometimes the
characters bend and twist the story to suit themselves and they come out much
deeper and richer—and sometimes scarier.
My other work in progress is The Ship’s Bastard and they’re afloat
at the moment and fighting about which way the ship ought to be going. I’ve
written them in a corner. My daughter says light the ship on fire and see what
happens. We’ll see.
I want to stress that part of my process has been trying to
get more dialogue in. Because that put some of the characters out of character
by the time I had the book half written, I had to go back and change it.
Because I listen to others on what has to be in and where, I have had to do a
lot of re-writing and then re-re-writing because my writing was losing my
unique voice. Too much re-writing can cause a story to go flat and voiceless.
Beware of trying to do what ‘everyone’ thinks is important. Each of us is
unique and have a different twist or outlook on any given situation. THAT is
the part of your talent to nurture and keep. Don’t worry overmuch about what
your theme is for your writing. Sure, it will make more money quicker in the
long run of a career, but if you go and look at early work of many famous
writers, they had to get some writing out of their system before their writerly
brains found their own personal serious theme to their books. Yes, I’m supposed
to keep to one genre. Yup. Like that worked. In my Zone stories I have Tarzan
like survival issues, romance, some science fiction, definitely futuristic, and
for goodness sake, let’s not forget family issues.
By the way, the first story did not get a lot of changes before going to the public. The public has been quite enthusiastic about the Zone story. So not all stories are for all people. Remember that and stay happier.
Some of WARA have helped me through writerly nerves and that
has been phenomenal! If you have crisis of writerly identity, there’s no better
place to be.
Best,
Nina
PS. To write you have to write. Just do it.
