Showing posts with label Craft techniques. Show all posts
Showing posts with label Craft techniques. Show all posts

So you want to write a book? (Kathy Pritchett)

Are you sure? Do you want to dedicate hours, days, weeks, months and even years to make what is in your imagination come alive for others? Do you want to hear criticism, both constructive and just plain mean, about what you have poured your soul into? Okay, if your answer is yes, plow ahead for some advice from someone who has been there.

First of all, write. Every day. Make it a habit. The more you do this, the easier it will become for the words to tiptoe out from hiding and show themselves. Sadly, this is a piece of advice I seldom heed. I guess, though I have considered myself a writer from the age of 14 (that’s a lotta years; don’t bother with the math; we deal in words!), I also suffer from the fear that this gift that has been entrusted to me will be taken away, and the words won’t come. Even the main character in More Than a Point of Honor and The Judas Seat (and more books, if I can just let them out), successful novelist Richard Matthews, fears the words not flowing.

Second, do your research. I just read another book in Diana Gabaldon’s Outlander series. Like all of her books, it teams with minute historical, medical, psychological detail. You smell the unwashed people, feel the sweat run down your back, tremble in fear of hanging, and want to run from the white sow. I don’t know how she knows so much medical information or the minute details of Colonial dress and toilet, but it sure adds to the story. Her detail, rather than slowing down the flow, adds to and is an integral part of the plot. Tom Clancy’s and even J.R.R. Tolkien’s detail bogs me down at time, but not Diana’s or Frank Herbert’s. Good writers are like good painters. Every brushstroke takes you closer to the picture they want you to see.

Third, edit, rewrite, then edit and rewrite again. Listen to beta readers and critics. Comments that are from left field might safely be ignored, but if several readers have the same complaint, look closely at the issue. See what you can do to fix it. Though writing is considered a solitary task, it really isn’t. A writer, except perhaps for Emily Dickinson, doesn’t write for her or himself. A writer writes to communicate with readers. Richard mentions this in his address to a writing conference in Honor. If readers don’t understand what you have tried to tell them, don’t blame the readers. Try again.


In short, if you want to write a book, do it. Be prepared to give up time with friends, other hobbies and often, your sanity. But do it. Write, research, and edit. Over and over. You may write several books that never see publication—author Jodi Thomas call it your “under the bed” book—but you will learn more than a Master’s program in the writing of it. As a critic told me once, “keep at it and you’ll get there.” Even though that was back in the days of typewriters, it’s still good advice.

Instinct

With writing inspiration, creative sparks, craft techniques and other assorted stuff, I come up dismally short. I don’t use a plotting board. I never know when a turning point is about to show up, and I seldom know my characters life history before I begin. I have no picture boards or books to ignite my imagination. My ability to get from start to finish doesn't fit the instruction manual. I've tried these other methods, but instead of helping, I end up with brain freeze.


I do work at punctuation and grammar, and I did have to learn proper formatting, but those have nothing to do with the creative part of writing a story. I don’t look for inspiration either, it finds me. Whatever goes into my brain eventually comes back out. I write by instinct. That’s what I call it, anyway. My only muse is life.

My current WIP is almost finished. It began with me jotting down my feelings about a motel room I stayed in while visiting my mom’s hometown. The next day I ran into an elderly gentleman on the street who graciously allowed me to take a peek at his 1800 era mansion. I saw another gentleman that same day, much younger and infinitely more handsome, wearing a green work jacket of unknown origin. Those three minor events have spawned one-hundred and twenty-four thousand words.

My first book came from my lifelong love of horse ranching and kids. I've never worked with horses. I've never lived on a ranch, but I've always wanted to. I wrote a novel based on my desire to live that kind of life. I wrote a story about the redemptive power of God’s love in the lives of my characters. I wrote what I know.

The second book I penned is a sequel and there is yet a third to be written. It’s next on my to-do list. Why I decided to start my writing career with a trilogy is beyond me. After that comes a Christian fantasy novel. I have a beginning, and a vague idea of where’s it’s going, but that’s it. Oh, the good guys win, and the guy gets the girl. Does that count as plotting?

I can’t even say where my third novel came from. There is nothing in my life that reflects what my characters go through besides the pain that comes with living, and the fact that God can redeem all. This isn't much help for new writers but it’s all I've got. 

Happy Thanksgiving everyone!!!!!!