Showing posts with label Romance Genres and Sub-Genres. Show all posts
Showing posts with label Romance Genres and Sub-Genres. Show all posts

Do not Despair Because All is Not Easy

This scene is from the last finished futuristic, survival, romance Zone novel. Warning: It is not a lyrical as some. The book ends well. Villians vanquished. True love wins out, etc. The woman known as Ama is Helena's nanny/mentor/governess from birth on.

Excerpt from "In The Zone: Pitin's Problem" by Blatant Appeal

"I remember shaking.” Helena looked forward, her tears still not falling. She fell silent.

“Finish this story,” he commanded, hating every syllable. He needed to hear it all.

“Ama shut down the light she held. She told me I would be expected to stay until I had mastered balance on the wall. I stood up and began to feel the way with my toes. I walked forward, sideways, backward, always quicker and faster.”

“The sun rose, but so did the wind. I tried to keep going, but it was colder and on one turn, as I was backing up, I missed a step and didn’t come down on my other foot as boldly as I should have. I fell.”

“Were you hurt?”

“Yes.”

“How badly?”

“I broke my leg.”

Pitin’s tension eased—she hadn’t been badly hurt. He had imagined worse. “You fainted, then what?”

“Fainted?” Helena tried to figure out where his erratic thoughts were leading him this time. “What does that mean?”

“Passed out. Blacked out. Lost consciousness.” he explained. At her continued look of incomprehension, he said hopefully, “from the pain of breaking your leg? The darkness?”

“I did not ‘faint’ from breaking my leg or the fall. Ama picked me up and wrapped my leg properly before my punishment.”

Pitin kept his mouth closed. Barely. Only the sure knowledge that he was in the middle of a Helena conversation, with no hope of reaching the conclusion if he pummeled her with comments expressing his outrage, kept the questions that were shooting out of his brain from his lips. Almost.

For breaking your leg?”

“No. For falling.” She couldn’t look at him. Now he would know another imperfection.

Pitin watched as Helena looked down at her lap. Her posture revealing…shame? Her voice continued in a much lower tone.

“I didn’t learn the lesson of balance at that time because my mind was on the cold.”

He couldn’t take much more of this line of query. Mind healers didn’t get paid near enough to listen to this kind of recounting. He took a large breath and forcing his jaw to unlock, spoke quietly, “Go on. Tell me about the darkness.”

“After Ama wrapped my leg, she took me to the revealing room. She pulled the darkness hood over my head. My wrists were placed in the punishment fetters. Then she closed the door.”

Helena finished speaking and sat with her eyes closed. He could feel her…waiting.

Pitin carefully gathered her as close to himself as he could hold her as he asked the last question.

“What is the revealing room?”

“It is where one is left without clothes, without light, without movement, to experience what will happen if the darkness ever decides you will never see the light again.”

Naked and injured! Ama had terrorized an injured, naked child. He could feel, but not see, the slight quakes that rippled through Helena's body. No wonder she was afraid the darkness would take her. She’d had that threat of a certain fate held over her head from infancy!

While he held her close, rubbing her back, trying to calm her tremors, he made a couple of decisions. Number one: he would never again consciously pry into her past. He didn’t care what the prevailing theory of improved mental health had concluded. It was sadistic to make a person relive a painful episode.

As far as he could determine, the revelation of such an experience merely made them both feel badly. How could it really help? Maybe that was why humans were given the gift of forgetting—to use it. She needed to have new information, not relive old learning experiences. She needed to believe in him.

Number two: they would face the future together. Whenever a ‘Helena’ anomaly surfaced, then he would deal with it at that time. He could certainly understand why she didn’t like ‘talks’. He wouldn’t have wanted to ‘talk’ either.

Helena?”

“Yes.”

“We still need to talk.” He felt her stiffen in increments, pulling away from him. “The word will not hurt you, I will not hurt you and we must discuss…” He stopped his explanation of talking to see what she would do next—letting her go as she moved to stand up, wanting her to feel free to run. Then he deliberately relaxed back into an indolent posture to look as non-threatening as possible.

Helena didn’t move. She waited silently for whatever would come next. She could run or take some time for herself, like she had before, but what difference would it make? She had nowhere to go for real freedom and a duty yet to fulfill as long as she was capable. Pitin must be protected.

The suspenseful time between the transgression and the instruction in perfection had always been the worst part of her lessons. She had learned to keep her mind empty during the long hours of motionless silence before, during, and after the punishment. Unmoving silence was a much better way to pass the time until release than nursing bruises and chaffing.

Pitin watched for a while, thinking that surely she would move or speak. He shifted his position—no movement from Helena. Well, apparently she wasn’t going to dash off.

Helena?”

“Yes.”

“Why don’t you sit here and we’ll discuss our future and what we want to do with it,” he said encouragingly, giving her a determined stare while patting the spot beside him.

At least he got a response, she looked at him. Her eyes changing color, she seemed…confused? Maybe that is what he needed to do—keep her off balance and confused.

No. He couldn’t do it. She might be rigid in her thinking, but she needed reassurance and an anchor more than anyone he’d ever met…no matter how self-contained or elusive she appeared.

Helena scrutinized Pitin carefully for clues about what exactly he wanted from her. His dark hair luffed in the slight breeze but that was the only movement. Other than that, he had turned into a non-blinking statue with a stare of intent. But of what?

Her confused thoughts bounced around. Pitin didn’t look violent, but what response did he want? What did he mean? He didn’t make sense. Again. The future? Our future? What could she do about it? What did he think he could do about it?

Helena do you have any questions?”

“Yes.” But it had never mattered how many questions she had. No one ever really answered them.

“Well?”

“Well what?”

“What questions do you have about our future?”

“What future?” she responded, hoping to get real information.

Awareness shivered down his back—spearing through into his chest—tearing a raw wound in his heart. Burning acid hit his stomach.

He loved her.

Barely able to keep his last meal down, he got up. Holding his jaw locked, teeth clenched against disaster, he tersely ordered her, “Stay here,” and fleeing the scene of his disaster, left her standing there...alone.

Pitin made it an unknown distance into the trees before he staggered, fell to his knees, and heaved his guts up.

I’ve destroyed myself, he anguished. Turning in lone misery, he covered his eyes with one arm, and sat back against a tree, oblivious to his surroundings. He loved a woman who’d had her heart tortured out of her so early in life she never knew it missing.

What makes a Romance?

Romance is defined as: 1. Characters involved in events in time or place. 2. To entertain romantic thoughts or ideas. 3. To carry on a love affair.

Sexual: symbolizing or implying desires or activity to someone.
Tension: the act of stretching or the condition of being stretched.

When writing Romance there are two key elements to focus on. Create a central theme for love and an emotional but happy ever after ending.

The major element I want to talk about is Sexual Tension. There must be a solid physical attraction between the hero and heroine. Having inner feelings, builds believable characters. Conflict enhances a push-pull emotional drive. Chemistry between the couple could be a racing heartbeat, butterfly like sensation within their stomachs or a nervousness that can’t be explained.

Sexual tension could merely begin with a look, nod or smile. The hero and heroine are physically attracted from the start.

Our Hero is in awe of her appearance. The swaying of her hips in a short mini skirt. Her fully developed breasts gently pushing against a tight see through blouse. Shinny black shoulder length hair swaying with each step she takes.

The Heroine notices his tight cowboy shirt barely hiding his muscular chest. A powerful masculine voice echoes in the moonlit night. The way his body moves in his tight blue jeans.

Characters are touched by heat of each other’s breath. Passion deepens with a stimulating desire for each other. A bold kiss or two moves tension to a deeper level of intimacy. One or both find they can’t stop thinking about each other. Each time they meet brings their desire for a longing fulfillment to take place. A kiss may last longer with a warming embrace.

Powerful sexual tension comes from incorporating elements such as the kind of weather. The pitter patter of rain drops upon a side walk. Rustling sounds of leaves while walking in an overgrown forest. Sounds of loud bolts of thunder coming from the sky, displaying silhouettes of brightness, in the midst of darkness.

Utilize your surroundings if your characters are indoors. An open window causes a gentle breeze moving a curtain swaying back and forth. A Grandfather clock ticks to the sounds of each breath they take. A semi dark room shows the illumination of a glowing candle.

You don’t have to have a love scene. You want sizzle, spark and an everlasting bond between the couple. Sexual tension is the key to success. Sensual romances are best when the sexual tension level is high. Each chapter builds more anticipation for the reader. Creating a rhythm of sexuality between your characters. Just remember their relationship enriches their obstacles and finds their true love. They’ve found their soul mate.

My suggestion is to write your story. When it is finished, polished and ready for submission, you can choose what sub-genre will fit and appeal to your publisher.
Contemporary Romance
Historical Romance
Regency Historical Romance
Inspirational Romance
Paranormal Romance
Romantic Suspense
Erotic Romance

Happy Valentine’s Day!!
-Sharon.

Unusual Romance: The Curious Position of Writing the "Weird Stuff."

Warning: Long Post!!!

(Picture courtesy of the Feebleminds website at
http://www.feeblemind-gif.com/)

For years now I've been WARA's resident oddball. I write romance, but I write it in subgenres and categories that aren't the usual. Off-the-wall stuff such as fantasy, futuristic and paranormal romance, erotic romance and fan fiction. Different, huh?

Nina's already talked about the tribulations of writing the "weird stuff" and about the roots and significance of fantasy, futuristic and paranormal fiction. The only thing I would add to her statements is that, for market considerations, an FF&P romance has to have an even balance between the romance and the other genre. All the elements of romance, hero, heroine, sexual tension, and most importantly the HEA, have to be present.

Many novels today are featuring FF&P elements with a strong female protagonist and a heavily romantic subplot. However, to be considered an FF&P romance the emphasis has to remain on the romance aspect of the story. The definition of what constitutes an FF&P romance is fluid, but for most houses the statement I made above is an accurate one.

Which leads me to address my other forms of weirdness. I write erotic romance. Erotic romance, along with chick-lit and women's fiction, garners about 2.9% of the sales in the romance market. Small, but significant.

Erotic romance, like FF&P, has a fluid definition that can vary from house to house. A basic definition of it is a love story imbued with a highly sexual content. There has to be an emphasis on the romance, and it has to be balance with the sexual content. Most erotic romances allow exploration of more controversial elements, such as multiple partners, role-playing, bondage/sadomasochism, etc.

To write erotic romance, sex scenes have to be plotted. They must move the character toward a goal, bring the character into conflict with opposing forces or strengthen or change a character's motivation. You can't just take a story and "sex it up." The sex has to be a part of the character's fictional journey. A good reference work for writing Erotic Romance is The Complete Idiot's Guide to Writing Erotic Romance by Alison Kent. There is also a special interest chapter of The Romance Writer's of America for the erotic romance subgenre called Passionate Ink.

While I have yet to be professionally published in this subgenre, I am gaining experience with it in another fashion. The erotic romance writing I've done has been in the realm of "fan fiction." Fan fiction is writing in the story world of a movie, TV show, book, video game, etc. It cannot be done for profit, only for the love of the characters involved. Like writing everywhere, it runs the gamut from really bad to excellent.

Fan fiction is controversial, and many people do not consider it "real writing" because it is not original work. Some authors and creators don't like it because they feel it infringes on their creation. Despite efforts to curtail it, fan fiction continues and has grown in numbers over the years. Most authors now consider it to be a sincere form of flattery.

Fan fiction is a place where writers can test the waters. It allows a beginning writer to experiment with plot and characters without pressure. They can learn by using settings and characters that are familiar and comfortable. Its main goal is to tell an interesting story and to keep the characters as close to those of the original work as possible. The stories are posted on websites, and other fans of the work are encouraged to give feedback.

For me fan fiction is an opportunity to try out new techniques, like adding sexual elements to a familiar story, and to play. I use it to write about fictional people I've become fond of and to write without the strain of deadlines or editors. If you are interested in this type of writing, check out FanFiction.net at
http://www.fanfiction.net/.

I've maundered on enough now. Aren't you all glad I went last? :-)!

Series--Category--Romance

Writing stories about “people” who live in my head isn’t new. I’ve been doing it since I was old enough to put words together. By the time I was nineteen, I was writing reams (literally) of pages about those people. It wasn’t until many years later, when my oldest daughter was in middle school, that I gave serious thought to writing. And I wanted to write for children, specifically middle readers and young adults. Life took a different turn not long after that when my daughter was diagnosed with depression, and writing went by the wayside. But it didn’t stay there. My best friend re-introduced me to romance, and after reading literally hundreds of romance novels, I thought it would be fun to try my hand at it.

It was more than fun. It was almost obsessive. But it took several years to learn the craft and the business, and I’m still learning, even after publishing six books with Harlequin/Silhouette and two more scheduled to be released, one in August this year and the other in January 2010. All of those books are “series” or “category” books.

What’s a series book?

According to RWA (Romance Writers of America),


“Series romances normally have a number on the spine, (ex. # 435 in the Harlequin Superromance or Silhouette Intimate Moments) and are released once a month.”


Series romance is often shorter, ranging from 50,000 to 75,000 words. At present, Harlequin/Silhouette is the only publisher to offer series romance and currently has sixteen different series lines, each with its own special “flavor”. The spectrum runs from Inspirational Romance to the more traditional to Paranormal Romance to the more erotic, so there’s something for every reader and especially every writer!

I truly enjoy writing for Harlequin American Romance, a part of the Home and Hearth theme from Harlequin Enterprises. It encompasses everything I hold dear, with the focus on home, family, community (especially small towns) and the very best of LOVE.

And isn’t love what it’s all about?

Why Romance?

I can’t count how many times I have heard comments or questions about why I read (and write) romance books. “Can’t you find anything of more value” or my favorite “couldn’t you find a good book to read?” It got worse when I was working on my Master’s Thesis in a private Christian College on Marketing and promoting Romance authors and the Romance book industry. The scholars I was surrounded by wanted me to do something that had more of a positive impact on society.

I could go on and on about gender bias, but I in truth that has little to do with anything. In truth it is more about lack of awareness. I could go on about the marketing numbers, and the average age and educational level of the romance reader (Women over 35 with at least a Bachelor’s degree) interestingly enough, in today’s struggling economy where people are tightening their belts and cutting extra’s, the romance book industry is still showing growth. Readership is increasing, to the point that even men are now picking up books by Authors like Nora Roberts and Christine Feehan. Even the Best seller lists are being taken over by Romance Authors (now almost 50% of the books listed are from the romance shelves) .

Romance books reach out to each of us, giving everyone something to look for, Mystery, Suspense, Action, even the closet Fantasy and Sci-Fi fanatics can find something they love. No matter where you turn, there is bad news.. War over seas, crime rates increasing, reports of abuse and crimes against women and children on the rise. Companies closing down, and people losing the roofs over their heads. Where else can you find a great escape, and be guaranteed that the end is going to be happy?

Grinning like a Blogger

Does anyone else secretly grin when they admit they are a blogger? Doesn’t it sound like we should be strapping on work boots, sporting red flannel beneath our denim overalls and hoisting axes over our shoulders while we head high into the timbers? Anyone know any good lumberjack songs?

Hmmm. Me either. I’ll have to ask my husband. Men know these things.

Okay. Just another weird observation. As you might have guessed, I have a lot of these. Most authors will admit to having voices in their heads. To a writer, this is a good thing. It means your characters are doing their appointed jobs and leading you down that long and winding path to the end of your manuscript. This is a normal, even welcoming experience. Needless to say, the voices that occupy my mind tend to sound like Lucy and Ethel, or Martin and Lewis. And on days when I’ve had too much caffeine, I have The Three Stooges performing in full regalia. I can only imagine what a cat scan of my brain would look like. (grin)

Romantic comedies have always relied on slapstick or physical comedy. Not cover to cover craziness but just enough hurled at your hero and heroine to get them into and out of a sticky situation. Good comedy is a mixture of subtle and the not-so-subtle because no matter what, you never want to make it easy for your characters. If you think about it, writing a scene is like building a house of cards. The comedic tension increases as the scene grows on the pages of your manuscript. And you, as the lucky writer, get to decide when to knock it down.

So romantic comedy writers rejoice. Sing your lumberjack songs. Build your house of cards. As long as our characters keep tap dancing in our heads, we'll keep slipping them banana peels.

Hugs,
Reese




PS:

I should have mentioned that if you are a writer, an aspiring writer or just curious about writing then WARA is a great place to be. Feel free to check us out at:

http://warawriters.com

Or come and visit at our next meeting on, May 3rd, at 4pm, Derby Recreation Center.

Ok, now I'm done! Thanks for stopping by.

Becky

Genre. Say what???

Hello friends, both old and new!

As a newbie in the writing world, words like “genre” were escorted by the panic fairies directly to the folder in my brain marked HELP! When I first connected with WARA, just five short months ago, I learned so many new things so fast that at times it was a little overwhelming. But, I always received a kind and informative answer, no matter how stupid I thought my questions were. Someone was, and is, always willing to help.

I grew from a complete greenhorn who only acquired the Internet after joining to: Being part of an email loop and website; writing a blog; entering the Right Hook contest; learning how to add the “creep factor” to my stories as well as the romantic sizzle and pop. Plus so many little details I thought my brain might actually explode at one point! Lucky for me it didn’t but it might have made an interesting story. Ummm, I’ll have to tuck that away in my idea file but how would I work it into a romance? Oops, bunny trail, I must get back to the program at hand.

Let’s see, I’m supposed to be talking about genres. I had to do a little research to make sure I didn’t catch “foot in mouth disease” and this is the result:

Genre: A particular type or kind of work such as art or literature which make it easy for others to recognize.

In other words, if you like Romance novels then you can skip over the science fiction genre and go straight for the books marked, Romance. Unless you like some love and kisses to go along with your (aha!) brain exploding science fiction, which is then called a sub-genre. (I think!) Do you feel educated now? Good, that’s one of the main ideas behind WARA; educating, supporting and tamping down the panic when a “newbie” has a meltdown over doing something new! You know, like blogging, but don’t tell them I told you!!
(Oh, never mind. After at least a dozen emails, I’m sure they figured it out!)

Happy Reading. Romance, of course!

Becky

Whew! Am I done yet?

Why Romance? (Penny Rader)

The romance genre has been my favorite since my pre-teens. It was my escape, my haven when I was a young mom and step-mom. When I decided to give writing a try, romance was the most logical choice for me.

Why do I read and write romance?

* The HEA (Happily Ever After)
* The emotion, the connection between the hero and heroine
* The love, the healing, the renewal, the hope, the redemption
* The empowerment of women
* To laugh
* To cry
* To laugh through my tears
* To lose myself in someone else’s world
* To see how other people work through the difficulties life throws their way.

Who are some of my favorite authors? Some of my favorite books?

* Morning Side of Dawn by Justine Davis
* Jackson Rule by Dinah McCall
* Annie and the Outlaw by Sharon Sala
* Miss Emmaline and the Archangel by Rachel Lee
* Diamonds and Dreams by Rebecca Paisley
* Season for Miracles by Marilyn Pappano
* Maggie Shayne’s "Texas Brand" series

I seem to be especially fond of characters who are wounded in some way, whether it’s emotional or physical. And women in jeopardy stories will have me on the edge of my seat or scrunched down against my pillows, flipping pages as quickly as I can. If the woman in jeopardy is pregnant or a mom and the hero loves the baby and/or kids as though they were his own, well, that puddle right there is me. (Not sure that last part came out the way I meant.)

Currently, my faves are the Virgin River series by Robyn Carr (I just love the characters and the town) and J.D. Robb’s In Death series. I know, the J.D. Robb books aren’t shelved in romance, but they’re written by Nora Roberts and I love watching the relationship between Eve Dallas and gorgeous Roarke grow and develop. I’ve kicked myself numerous times for waiting so long to read this series. It’s futuristic. I don’t usually read futuristic because I don’t usually “get it.” I definitely “get” these books. They’re set 50 or so years in the future and I have no problem figuring out what’s going on.

That’s a bit about what I like to read. Why do you read romance? Who are your favorite authors? Care to share any favorite titles?

More Romance Genres & Sub-genres

We've had some great discussions in the past two weeks! Because we haven't covered romance genres & sub-genres completely, we're going to continue the discussion on them until the end of the month.

If there are any questions, or if anyone has something to add, whether a WARA member or a visitor, please feel free to comment! We're all here to learn and have fun.

Mystery Suspense. It’s the Thrill. It’s the Adventure.


I’ve completed two novels, Inspirational Romance and Mystery Suspense and have written several books in different stages, with plans to finish. At present I’m writing a second Mystery Suspense.

Mysteries have five categories. They are: Police Procedural, Private Investigator, Historical, Professional and Amateur Sleuth. My Mystery is written with a Female Private Investigator leading the story.

Story ideas develop from reading newspapers, watching local and national news. Television shows and movies enrich my stories for subplots, dialogue, character traits, etc. Brainstorming and plotting creates a believable story, capturing my interest or the Thrill, as I call it.

Usually the story appears before me as a movie in my head. I begin typing many scenes as they are happening. First chapter should introduce the Villain, the Victim and the Detective. Keeping the reader hooked, wanting to read more. Suspense builds surprises with descriptive points to further the story along.

Mystery websites, author’s links and self-help books are great for research. One of my favorites is
http://www.mysterywriters.org/ that has many other links to go check out. Finding pictures makes characters and places come to life. Giving me the advantage to feel like I’ve been there, when I can’t have the opportunity to travel.

Writing an excellent story begins with a first draft, then write, write, rewrite, rewrite. The story will begin to take shape in a real mystery suspense setting. Everyone will want to read it. I’ve shared a few writing techniques I use when creating my mysteries. There’s so much more to writing and completing a novel, this leaves room for further conversation in a later blog.

I believe if you want to publish you will. It’s not all being talented in the craft. Persistence, determination and thinking like a professional are the key to success. Critique partners have played a vital role in my writing career. Discussion about my book with my fellow writers has been encouragement for my novel to be the best it can be.

- Sharon

Oops! A couple of Sci-fi things I forgot to mention.

Just when I thought I was on top of everything (I wrote my blogger thingy TWO days in advance--just to make sure I had one on time...), I woke up this morning and realized I had left a couple of really essential items out!  (Ok, confession: I do my best thinking when I'm asleep). 

Point number 1:  Science fiction/fantasy of the last century (it is fun to say that) the 1900's, has embodied thinking that embraces racial (by way of using the other worldly, alien, and or critter) inclusiveness in society and relationships.

Point number 2:  It explores and tests societal rules and opinions.  Not only does it hold up a mirror to how different aspects of how humans operate in our societies, it offers new ways to think about ourselves and our relationships.

Point number 3:  It makes us think about how we define humanity.

 Romance has entered the science fiction/fantasy/futuristic arena long ago with Edgar Rice Burrough’s Tarzan series.  The relationship of Tarzan to his ape mother and to Jane so captured the world’s imagination that we’ve never been the same.  There were many Tarzan books that explored what it means to be human and how close to animals we really are.  Burroughs explored pretty thoroughly how civilized behavior isn’t so civilized sometimes.  Tarzan also visited other worldscapes in an Alice through the Looking Glass, kind of way.  Burroughs went on to write more series work, John Carter of Mars and one that escapes me at this moment about Venus.

Today’s Sci-fi/fantasy/futuristic romances carry on these fine traditional points.  It also gives writers a chance to be different—like the alien character whose urine smells like cinnamon and the poor female homeowner whose downstairs bathroom the alien keeps using….

 

                                                                                                 

To Future or Not, a Bloodsucking Dilemma

If it’s the 10th, it’s my turn to blog.  Welcome readers and blogerites.  This is my first time so you can expect a little awkwardness.  Maybe you won’t find it, but it’s there.  A lot like writing my first novel—a long and smelly proposition….

So, there I was, not a writer, (I hated writing) but someone with a story to tell, a story that had its beginnings when I was immersed as a young teenager in the science fiction section of our rural county library.  The section covered one whole wall—I read it all.  Then, there were the other books from at home, the ones that came first, Tarzan, Robinson Crusoe, The Black Knight; books left over from grandma’s attempts to get her children to read the classics—all hundred of them for whatever they were charging then.  Then came romance, old Harlequin books with dynamic men and womanly women having adventures in foreign countries.  Many of those old books were written by obviously English writers and I didn’t care.  The foreignness was part of the appeal.  Those English writers got around.  They wrote about Spain, Italy, and South American countries.  My eyes burned up the pages.  Then I discovered Regencys.  Ah, my heart.  Manly men with swords.  The Grand Sophy by Georgette Heyer earned me an A on an oral book report as well as the scorn of my fellow classmates.  I was supposed to talk for three minutes—fifteen minutes later the bell caught me mid-sentence and a classroom full of teenagers ran for their lives.

So much for the beginning.  Now to the end.  I wrote a story.  It ended up a novel.  I was such a novice I didn’t know how long a novel was so I called a publishing company to ask.  Their answer: it depends.  Imagine the conversation that followed as I pressed them for concrete details.  The conversation resembled a comedy club act.  However, I now know the answer to that question if you need it.

Writing that novel was absolutely the most addicting fun.  Some days I didn’t want to go anywhere but to the computer.  I’m sure that if I’d not had people who pulled me back into real life occasionally, that I’d have been found, a dried up smelly relic, sometime in the murky future.

Here’s the real problem.  I wrote another novel.  The first one was a futuristic, survival romance.  (See why I told you what I read?)  The second novel was set in the same location, futuristic and survival romance.  There are over twenty more story lines set in the same location.  But, being a futuristic world, someone was supposed to know or should have kept track of the special stuff.  You know, like what a knockert is.  A hitsnake?  How high can a camine jump? By the way, is the first gate to the Proving zone in the east, or the last step located in Randar in the west?  Fine, so a bunnyhop is obviously a rabbit.  But what is a whorlcat and what are its attributes?  How about that flower that Tory sipped sweet nectar from?  Where was that again?  Yup, the second novel was pretty dicey, but I can see the writing on the wall.  I should have been writing the special things, people, society, animal, places, down as I went in some sort of information keeper.  I didn’t.

Second novel finished.  I guess I expected divine intervention.  I didn’t keep anything on the second novel either but coped by making up mostly new stuff for the second novel.  Do you see I just compounded the problem?  In my own defense I have to say I didn’t know I was going to be a writer or that anyone would want to read what I wrote.  I did, they did, now I’m really facing a problem.  Novel number three.  So, I coped again, I switched genres. I’m writing a historical.  By the way, I can see the same problem developing there too.

So what’s this whole long post about?  Caution.  You’ll want to think not only about your characters and about the joy of world crafting but of determining a way of handling the storage and recollection of details.  Details, which may be needed again for the next story.  I’m running out of genres….

Where does your story fit in the Science Fiction, Futuristic, Fantasy, and all the rest of the not-so-easily-pigeonholed variety pack?  Science Fiction has more scientific world crafting.  It relies on the intellect of science.

Futuristic is far enough in the future that society or people are changed substantially enough to not be what we’d expect to see next year.  The time may also be far in the future.

Fantasy stories are crafted with myth being integral in their world.  The myth factor can involve fanciful creatures or everyday ones.  However, fantastical abilities are essential.  These fantastical abilities may or may not be very nice.  Creatures/characters may have many different degrees of humanity or not be human at all.

One overlying fact is true of all of these types of stories, whether from Jules Verne’s’ science fiction classic 20,000 Leagues Under the Sea to The Huntress, a sexy alien erotica sizzler by Barbara Karmazin, the qualities that excite us are the ones we identify with emotionally as humans.  In a true alien story, we wouldn’t know their toes from our ears.  In fiction that appeals to us, it is the human qualities we inject into those alien places that have us attending fantasy fairs dressed as our favorite sprites hoping to excite a little vampire action or hoping to ride on the Star Ship Galactica.

Inspiration

Peeking in at a great bit of information and fun…

 

 

All Times Are a Stage aka Historical Romance

”His cloak, held by a leather thong, had fallen off his shoulders when he had tumbled into the coach, revealing a full sleeved white shirt open at the throat, plain leather riding breeches and the knee-high jackboots common to men of the road. Tightly coiled tension accented with undertones of determination and danger emanated from the lean figure.”

Today the gentleman described above would garner stares (perhaps admiring in nature) and most would think him bound for a masque ball--sorry, make that costume party. It’s one of the dangers/joys of immersing yourself in a story be you writer or reader. I’ve been listening to Diana Gabaldon’s Outlander series and have to watch myself to keep from speaking at times with a Scottish brogue.

This graphic shows three figures in modes of dress common circa 1809. They would be very comfortable in my books. I’ve had nine “sweet”* Georgian (1700-1798) and regency (roughly 1800-1825) books published. *Sweet” regencies are stories that contain sexual tension and kissing but no other sexual content. They disappeared from the marketplace in 2006 but they now flourish in the eBook market. I am currently working on a Napoleonic spy mystery/romance series.
Why did I choose to write historical romance? I think I do so because of a love of history (attested to by my minor in American History) and a fondness for word play combined with years of reading historical fiction topped by the discovery of Georgette Heyer, the earliest writer of and oft regarded queen of Regency Romance. Then there are those characters in my head that are happy only occupying the past.

Why should you write historical romance? Perhaps some of the above and also because historical romance ranks second in all sales of romance. In 2007 Romance Writers of America (RWA) (http://www.rwanational.org/cs/the_romance_genre/romance_literature_statistics) stated that historical romance was 16% of the romance market. In 2008 it was 17% and holding strong, especially regency set historical romance.

RWA describes Historical Romance as “Romance novels set in any time period prior to 1945, and taking place in any location.” Settings in historical romance can range from the Dark Ages to ancient civilizations; from the Middle Ages to Regency England; from the Civil War to the Wild West or World War I or II and many more. These romances can cross with other genres. To name a few--inspirational, mystery, or paranormal such as the regency paranormal The Marriage Spell by Mary Jo Pultney. But one thing is true for all historical novels--through accurate detail they take the reader to a specific time and place in history.

Some authors use actual persons, places, and events amidst their fictional ones. Some use only the fictional--characters, places, and events of their invention. Knowledge of the every day life of the time and place (together the make the setting) of the historical romance as well as the language and jargon in use then is very important. Once a setting has been chosen and the plot set--or even before this--research begins. Just how much to learn about your setting requires a delicate balance. Too little makes the book unreal, even laughable--substitute rebooks for jackboots in my opening paragraph) but too much research can lead one to either get lost in the delight of fact finding (odd but true for some of us) and never write the book or turn the book into a litany of facts which detract from and turns off the reader.

In writing historical romances you share your love of historical periods, educating and entertaining. I just finished reading Reflections in the Nile by J. Suzanne Frank and now know more about ancient Egypt than any history textbook could induce me to remember as well as having enjoyed a fascinating romance. The best way to decide if this is your niche and which period of history your characters will inhabit is to read a variety of periods. When you find one that peoples your mind with characters and plots read a lot of books in that period. It’s a great way to absorb some of the ambiance and helps you to learn the market--but that is for another post. Many years ago I read over 200 regencies in six weeks. As I tossed the last one back into the box I thought, “I can write something better than some of these.” I sold my first historical romance two years later. So start reading . . .

Tickle Their Funny Bones

Let me jump right in to the blogging pool, feet first, and tell you how excited I am to finally be a bona-fide blogger. I can only imagine how proud my family must be, I say, sniffing and wiping a tiny tear. Okay, now that’s out of the way and you are comfortably parked in front of your computer, lets get started.

I write contemporary romantic comedies that tend to be a bit wordy. I like to play with words the way children like to finger paint—mixing and matching until it works on paper. I love the way words roll off my tongue and sound almost lyrical when I read my chapters to my critique partners. And if those two wonderful women fall off the couch laughing, all the better. Score one for this comedy writer’s warped soul.

To me, writing the funny stuff comes pretty natural. Not sure why, perhaps it’s the oddly optimistic way I see the world or that I’m able to draw inspiration from the crazy cast of characters in my life. In my opinion, there are three ways to incorporate humor into your manuscript. The first is a system of layering on the absurdities. Building the crescendo. The reader keeps turning pages, faster and faster because she knows the funny bone pay-off is coming. She not only expects to bust a gut laughing but she’s disappointed if it doesn’t happen.

The second way to incite a giggle is with word choice. Think punch line. Bu-dump bump at its best. This really funny sentence comes out of left field and knocks her socks off when she least expects it. As a writer, you get to experiment with words, pairing and rearranging until they pack the most punch.

The third kind of humor is derived from raw, human nature and stems from the best and worst times in our lives. Laughter after tears. Getting the giggles at the most inappropriate time. Or as I like to refer to it, there-isn’t-anything-I-can-do-about-it-so-I-may-as-well-laugh-as-to-cry. These are pent-up emotions begging for release and as a writer we have to ability to provide that for our characters and readers.


Two rules: Read your stuff out loud and see if garners a chuckle from someone other than your faithful, furry companion(man or beast). And the second most important thing is to never make fun of anyone with your comedy. It’s not cool to be mean.

Disclaimer: No actual critique partners were hurt by falling off the furniture.

So tell me, who do you read when you need a humor fix?

Hugs,

Reese Mobley









Inspirational Romance. What is it?


My name is Pat and I write inspirational romance and inspirational romantic suspense for Steeple Hill Books under the pen name of Patricia Davids. I have eight published novels with two more scheduled for release this year and three under contract for next year. Sounds like I might be an expect on inspirational romance, doesn’t it? Well, I’m not, but I do have a little insight I’m willing to share.

If you’re thinking of writing for the inspirational market you have a lot of opportunities that weren’t present even a few years ago. The market is expanding rapidly even in these tough economic times and encompasses numerous genres. So what makes it a story inspirational? It is not the lack of sex or bible quotes.

Having a character who is a Christian, using Christian phrases and/or scriptures will not automatically make your story fit into the inspirational market.

One or more of your characters’ Christian beliefs must form a fundamental part of the story. If you are writing a police drama, your character’s profession will dictate how he or she responds to the conflict in your story. With inspirational romances, the character’s Christian beliefs dictate how he or she will react in much the same way.

Are you getting the picture?

So what type of stories are inspirational publishers looking for?

Here is a list from the American Christian Fiction Writers website.

Contemporary Romance (includes romantic comedy)
• Historical Romance
• Romantic Suspense
• Sci-Fi/Fantasy/Allegory
• Historical Fiction (not romance)
• Young Adult
• Contemporary Fiction
• Women’s Fiction
• Suspense/Thriller/Mystery


ACFW is a great resource for researching the market and they have a good contest for unpublished authors. You can visit their site at


http://www.acfw.com

Do you have questions or comments about inspirational romance? Here's your chance to ask an almost expert.

Pat

ALL ABOUT GENRES & SUB-GENRES

So you want to write a romance…

One of the first things a writer needs to know is what s/he is writing. Fiction is broken down into genres (types), one of which is romance. That seems simple, but romance has its own genres and sub-genres, so let’s take a look at them.

What genre of romance do you write or want to write?